Locals raise opposition to “high-end” tourism project on the Wapiti

Homeowners in the Dimsdale area are mounting opposition to the County of Grande Prairie’s  March 24 decision to rezone about 100 acres near the Wapiti River that will allow for a high-end $5 million tourism operation to be developed by Bildson Realty Ltd. The operation, Northern Roots Lodge, is slated to feature 12 two-bedroom cabins, […]

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$195,000 grant to save the bees

New funding for Northwestern Polytechnic’s National Bee Diagnostic Centre (NBDC) may lead to finding solutions to protecting honey bees.   The NBDC received $195,000 from the Results Driven Agriculture Research (RDAR) grant. “Beekeeping and pollination management are vital to the Canadian agricultural economy,” said Patricia Wolf Veiga, NWP Applied Research and Innovation acting dean.  “This […]

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A king-sized exhibit at BACS

Miniatures are out, and wall-sized pieces are in!  Another beautiful exhibit is on display at the Beaverlodge Art & Culture Centre. 

After 32 years, the Quilt Show continues to attract visitors from all across the Peace Country.   This annual exhibit typically draws in the most visitors to the Art & Culture Centre, often with groups booking their visit with us in advance.

Whether you’re an experienced quilter, new to the art form, or just someone who appreciates the beauty of the pieces, the 2025 Quilt Show will not disappoint.  The quilters have put together a door prize draw for guests to enter, with the opportunity to vote for your favorite quilt.  I guarantee choosing one favourite will be a difficult task as there are more than 50 incredible pieces.  

“Old School Rule” by Carolyn Pfau regally hangs in the Main Gallery during the 2025 Quilt Show. This incredible 60”x80” quilt top has over 1700 pieces, with 93 different colors. (Photo Submitted)

For this annual exhibit to happen, a group of local quilters volunteer and take the time to promote this exhibit throughout the Peace region.  They also take charge on set up day, which is no small feat.  Like a well-oiled machine, helpful husbands in tow, they set up display racks in the Main Gallery, hung and labelled all the quilted items throughout the building, and were cleaned up, enjoying a cup of tea, before noon.  It takes a lot of dedication and support to install the Quilt Show each year, and we are grateful that they continue to do so.

On opening day, quilter and BACS volunteer, Mavis Fimrite, welcomed guests on behalf of all the exhibit participants.  She spoke about how quilting is a form of functional art and has existed for centuries. 

Quilts are works of art that tell stories and allow the makers to express themselves. 

Love is a common feeling, especially when you listen to what inspired the quilter to make the piece. 

Sometimes it’s to commemorate a wedding, celebrate the love of a grandchild, or piece together memories of the life of a loved one.  Each quilt is incredibly special. 

Most of the items in the Quilt Show are not-for-sale as they were intentionally made as a gift for someone else.  We are honored to offer space to share these incredible pieces with our visitors each year.

Many participants have also made and brought in other functional pieces of quilted art that are for sale, such as placemats, hot pads, blankets, and even journal covers. 

Their work often inspires many to learn more about the artform.  Maybe that newly inspired quilter will have something on display in next year's exhibit. 

The Quilt Show is open until Thursday, April 24 at noon.  The Mini Gallery Quilt exhibit has been sponsored again this year by Acuity Eye Care.

Raffle a success

Our first-ever beef raffle was a huge success!  Many thanks to Rafter MB Cattle Co. and Alberta Select Meats for donating the half-beef, cut and wrapped, and making this fundraiser possible. 

We raised over $5,300 to use for enhancements at the Art & Culture Centre.  Congratulations go to Anna Leman who was the lucky winner.  

Tourism season has officially begun. We are excited to have had our first few travellers stop by on their way north to Alaska. 

Our first tourist was someone who has made this trip many times and always has Beaverlodge and the Art & Culture Centre on their stop list. 

We are looking forward to hosting the many different people from all over the world and sharing with them about our beautiful community. 

We encourage everyone to make the Art & Culture Centre a place to visit.  

We invite everyone to visit the Beaverlodge Art and Culture Centre.  Take in the exhibits, peruse our gift shop, and stay for refreshments in our Tea Room.   Everyone is welcome.

With appreciation, BACS acknowledges the financial support of the Alberta Foundation for the Arts for its art and cultural activities.

Grande Prairie RCMP make multiple drug related arrests in February

A Feb. 27 traffic stop in the Grande Prairie area resulted in the arrest of Kenneth Shea (41), a resident of Crooked Creek, and two Grande Prairie residents: Richard Leonard Trautman (54) and Ricky Howard Vance (41). A search of the vehicle and its occupants revealed:  A handgun with extra ammunition. The handgun was later […]

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O’leary’s AI centre south of Grande Prairie working with province in weekly meetings

The development of the large-scale AI data centre dubbed Wonder Valley south of Grande Prairie is ongoing. 

The project, slated for Greenview Industrial Gateway (GIG), was announced in December.

Canadian businessman Kevin O’Leary and O’Leary Ventures are planning a total investment of over $70 billion in the project's lifetime.

“Once completed, it will be the largest development of its kind in the world, positioning our region as a leader in technology innovation and sustainable energy solutions,” said MD of Greenview economic development manager Larry Gibson.

He spoke about the Wonder Valley project at the city’s State of the City event on March 25. 

“This project will unfold in multiple phases, with the first phase alone representing a $12 billion investment to develop 1.4 gigawatts of power infrastructure over time; the full build-out is expected to exceed $70 billion, creating thousands of jobs, strengthening our local economy and attracting global investment.”

He said the region's cold climate, skilled workforce, access to fibre optic networks, and abundant natural gas reserves are reasons why the location was chosen.

City of Grande Prairie Mayor Jackie Clayton said the GIG “holds tremendous potential to support long-term growth, attract new opportunities and enhance regional prosperity. 

“We're looking forward to the positive impacts that the GIG will bring not only to the region but to our local community, to our businesses and residents alike.”

Gibson said Wonder Valley is currently working on attaining a Master Water License, which he says is a critical component of the project’s long-term viability. 

“We're holding weekly meetings with the province’s concierge team. These sessions allow us to navigate regulatory processes and sufficiently address any potential roadblocks early and keep all stakeholders aligned on the next steps.”

Gibson said the project is making the MD a place for “global innovation, investment and long-term prosperity.”

“​​The level of co-operation and commitment from all involved parties has been exceptional, and we're seeing really, real progress and real results beyond the direct economic impacts,” said Gibson. 

A December media release said GIG will offer 7.5 GW of low-cost power to hyperscalers, computers used for data management that require vast infrastructure for large-scale data processing and storage, over the next five to 10 years.

“O'Leary Ventures has begun pre-engagement with many communities in the area, ensuring early and meaningful conversations to foster collaboration and long-term partnerships to maintain momentum,” said Gibson. 

In January, Sturgeon Lake Cree Nation (SLCN) released a media release saying it had not been consulted on land use for GIG. 

“There has been no consultation,” said SLCN Chief Sheldon Sunshine, who noted the First Nation only learned of the project from a press release. 

“The way they act and talk, it’s as if our land and water are there for the taking, and we are expected to get in line to receive the so-called economic benefits.

“Our people are here to remind Mr. O’Leary and Greenview of the International Treaty, Treaty No. 8, that allows us all to share this land. 

“There is protocol. There are legal requirements. They are not being followed.”

In an open letter to the premier, Sunshine outlined his concerns about GIG and his opposition to transferring the land to GIG, saying people have traplines in the area and use the water from the Smoky River.

“It is one of the few areas accessible to exercise our way of life, which has been systemically eroded by unmitigated cumulative effects resulting from the provincial government’s authorizations of industrial development in our territory,” writes Sunshine. 

He said SLCN wrote to the province in May 2024, before the Wonder Valley announcement, with concerns on the Carbon Capture Sequestration plans at GIG, asking for meaningful engagement and consultation with the First Nation. He said no response was received. 

Supplied/ O'Leary Ventures

Centre for Entrepreneurial Excellence creating worldwide connections with local businesses

A new initiative out of Northwestern Polytechnic hopes to create more jobs for local businesses by helping them grow and make connections around the world to ensure their businesses can thrive.  The Side Family Centre for Entrepreneurial Excellence (CEE) was announced in June last year, and its director, Tanya Oliver, has been busy launching an […]

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The day the roof collapsed on the art gallery

The Day of the Collapse

On Monday, March 19, 2007 at 10 a.m., the historic 1929 Grande Prairie High School that was home to the Art Gallery of Grande Prairie (previously Prairie Art Gallery) suffered a collapse of the southern wing of the building. 

No one was injured and no artworks were significantly damaged. 

The building was constructed in 1929 and is one of the oldest brick buildings still standing in Grande Prairie. It was designated a historic site in 1984.

It was the quick thinking of the gallery’s executive director Robert Steven that helped the gallery avoid even further loss that day. 

Early that morning, Steven noticed cracked beams in the ceiling of the gallery’s southside exhibition space. 

He immediately notified staff - as well as the teachers of the pre-school class of 20 - not to enter the building. 

Steven moved the artwork on display in the south gallery room to the north side, then evacuated the site, even guarding the door to ensure no one entered. Once done, he called city staff to investigate.

They arrived to inspect the building, both inside and out. Shockingly, only moments after city workers left -  and staff looked on from the road - a third of the roof began to sag and the walls came crashing down.

Deputy fire Chief Harvey Pearson said, "They had left to take another look at it from a different point of view and, boom, it came down."

Nearby buildings were evacuated in the event of further collapse; gas and power to the site were cut off.

Only six months after moving with his family to Grande Prairie and starting his new position, Steven stood alongside his staff and community and watched as the historic building’s walls fell.

A photo from May 2011 shows the rebuilding of the historic building that houses the Art Gallery of Grande Prairie. (Photo by Melanie Jenner/AGGP)

The aftermath

In the days following the collapse, there were discussions about safely securing the site and retrieving the art collection. 

The gallery sought advice from the Canadian Conservation Institute and connected with Tara Fraser, Senior Conservator of Paper and co-founder of Fraser Spafford Ricci Art & Archival Conservation. She arrived from Surrey, B.C. on March 22 to set up a recovery plan. 

Fraser’s extensive experience and knowledge in the conservation and preservation of fine art paper was critical in preserving the works onsite and later during restoration of damaged works.

Also during this time, engineers, city staff, and crews from local companies worked to remove the snow from the area and made plans to remove the 3,000 kg heating and ventilation unit to prevent further collapse to the structure.

On March 26 - one week after the collapse - artwork in the basement vault was removed by gallery staff and board members under the supervision of the Grande Prairie Fire Department.

All materials in the classrooms directly below the collapsed roof and in the upstairs gallery had to wait for removal of the debris from the surrounding building. They would not be removed until April 3. 

On March 28, a controlled demolition was carried out to safely remove the eastside wall of the south wing. 

It was debated whether the historic building would be restored.

Many concerned individuals in the community advocated for the preservation of the historical integrity of the collapsed Art Gallery of Grande Prairie and to continue the plan to integrate it into the architectural design of the new Montrose Cultural Centre (MCC).

The groundbreaking for the multimillion-dollar MCC was scheduled for that spring. 

After years of planning and fundraising, everything was in place to begin construction in May, only two months after the collapse. 

The project would attach the new home of the Grande Prairie Public Library and the expansion of the Gallery on 103 Ave., right next to where the collapse occurred.

Construction of the MCC moved forward, and gallery staff found temporary offices and collection storage in the Station 97 area downtown. Truckloads of gallery materials were stored in several areas across the city. 

The historic 1929 high school building was boarded up and sat empty while it’s future was unknown.

September 2010, the gallery’s interior walls being removed. (Photo by Chandos Construction/AGGP)

Restoration project

In an 8-1 vote in June 2007, city council recommended the building be demolished. But, because the building had heritage status, provincial approval was required.

In December 2008, the Minister of Cultural and Community Spirit Lindsay Blackett sent the city a letter that supported the repair of the site.

The letter led to council’s decision to demolish it being revoked; city council unanimously voted on Dec. 15, 2008 to restore it. 

While MCC construction continued, plans began for the restoration of the historic high school, including working with architects on redesigning the interior of the gallery and how it would connect to MCC, securing the general contractor, and setting construction schedules.

In May 2009, the city received news of a $5.6 million grant for the gallery’s repairs from the federal and provincial governments through the Build Canada Fund. 

Construction began on the $6.7 million restoration by the fall of 2010.

Chandos Construction of Edmonton was the general contractor. Teeple Architects (Toronto) - who designed the MCC - were tasked to redesign the restoration.

In somewhat of a blessing in disguise, the redesign was an opportunity to provide the building with a new steel structure and transform the existing two levels into three. The original designs from 2007 essentially kept the interior of the high school building the same while connecting it to MCC. 

Restoration completed

Five years after the collapse, the gallery finally reopened in 2012, fully restored and fully integrated with the gallery spaces in MCC.

The new building offered a programming classroom, five additional exhibition spaces, a second vault to store the permanent collection as well as storage and workshop areas. 

The completion of the restored building allowed for the Green Space - a 2009 program that moved from gallery to gallery -  to find its permanent home on the second level of the gallery.

What happened to the collection?

Fortunately, only a small number of paper artworks incurred water damage following the collapse. With the help of Fraser, the artworks were fully repaired.

The gallery found temporary office space shortly after the collapse and remained there for two years. 

More than 300 works from the permanent collection - all rescued from the collapsed gallery on March 26, 2007 - were on view in open storage at the Gallery’s temporary location. 

The portion of the gallery’s collection that required hanging storage for its safe preservation was fully accessible to the community through the exhibition, Safe and Sound.

The collection had been rarely seen in recent years but became the object of international concern when it was trapped inside the frozen, collapsed gallery for a week in March 2007.

The full collection of over 800 pieces is currently located in two secure vaults within the gallery. Individual artworks continue to be regularly featured in exhibitions at the gallery and have also been loaned to other art institutions for display and have toured throughout Alberta.

Money for rural medical facilities in the northwest

The provincial budget  includes $18 million to fund furnishings, equipment and information technology infrastructure for the Mountview Health Complex in Beaverlodge as well as $170 million in capital lease costs. The Valleyview Health Centre and the  Central Peace Health Complex in Spirit River  made the short list for the first phase of planning under the […]

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AGGP Reconnect allows viewers a time to reflect

The latest exhibit at the Art Gallery of Grande Prairie dances along the wall, leading viewers to a large nest-like piece that allows them to reflect on their potential.  Reconnect by Edmonton-based artist Elsa Robinson uses crocheted jute intertwined with brass keys that take viewers on a journey of thought and reflection.  “My art aims […]

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GPPS recruits join RCMP

Six recruits from the first Grande Prairie Police Service (GPPS) graduating class have joined the Grande Prairie RCMP where they will commence an on-the-job field coaching program delivered by three experienced GPPS officers. This brings the total complement of GPPS officers assigned to the RCMP detachment to 13. “We look forward to having these new […]

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